Our very own Sofia Noble has created a poster for Gluten Free Raleigh as part of a petition to the City of Raleigh for inclusion in all area restaurants.
The poster will serve as an informational guide for restaurant staff to gain knowledge about the different food allergens that may exist in their menus and the appropriate restaurant procedures to follow when encountering a patron with a specific food allergy.
New York City is the only other city in the country that currently publicly displays food allergy information in all of their restaurants. Raleigh should be the second!
It’s our first official company holiday done our way. Today, September 25, is William Faulkner’s birthday and we are going to enjoy it with a #FunFriday (start looking for this hashtag on Twitter to see what we are up to).
So, why is William Faulkner such a big influence? I get asked this a lot when I am out working on developing our business and ever-growing list of amazing clients and I always want to go into much more depth than I am allowed. So why not use today as a good reason to talk about it?
The Creative Process is the core of everything we do at This Is Beautiful. First and foremost, we approach Design as Artists and our goal is to elevate the role of Graphic Design in every project we work on. Quite often, we hear things like “making it pretty” or “polishing it up”, and we do not accept this! Design, like Art, is about problem solving, whether through a complex user interface, a new brand identity or creating a sophisticated family of icons that are informative, instructional and effective.
Every problem can be solved with our Creative Process. We know this because we see it happening over and over and over. We have learned over the years, as Painters, Illustrators, Sculptors, Interaction Designers, Information Designers, Software Architects and Developers that we all, in fact, share the exact same mission and offer a variety of diverse methods to solve the problems we encounter on a daily basis. Our mission at This Is Beautiful is to mix these methods while never losing sight of the Creative Process. We are all Artists, but we do not just make paintings, sculptures or installations. We are Developers, but we do not just write code and build websites. We make Beautiful experiences, not just pretty ones.
So what does this have to do with Faulkner? Well, what I just described is much like the Stream of Consciousness that Faulkner embraces in his writing style. Perhaps a sentence begins with one intention, and after the addition of a semi-colon, completely shifts focus to address another issue. This constant shift of focus is much like the Creative Process we embrace. We address the problems presented to us without a pre-determined script or textbook to give our clients something new and interesting, all without losing sight of the goal…and to make this even better, our process is a part of our daily lives.The result is something that is compelling, usable, unique and thought-provoking.
It is William Faulkner. It is Art…and it is why This Is Beautiful.
Happy Birthday, Mr. Faulkner. We would not be here without you.
We were watching TV last night when we noticed the latest iPhone commercial features the phone number to Tartine Bakery & Cafe in San Francisco. The phone number is pasted into a text message by the Apple hand model, a move meant to show that the iPhone finally has copy and paste.
Since we’re from the era of “555,” we thought it was interesting that Apple flashed a real phone number on the screen. Certainly there are plenty of other people like us who took the time to call the number.
Here’s the commercial and here’s the recorded message you hear when you call Tartine (appropriately recorded on Ginny’s iPhone 3GS):
It’s not the first time Apple has given real businesses a plug in their commercials. We don’t know if the businesses are paying to appear in the spots or not. One San Francisco food blog reports Tartine’s regularly had lines out the door even before the ads appeared on national TV.
The publisher of The News & Observer wrote an open letter to readers today, acknowledging the newspaper is “upsetting our readers on a daily basis” because of changes to the newspaper. Newspaper publishers are usually only quoted in their own papers when they’re defending or lauding their work, so it’s worth paying attention when they speak up.
In his letter, publisher Orage Quarles III says some readers are “quite unhappy with the changes we’ve been making to the print edtion of the N&O.” The changes, of course, all center on a reduction in content — ranging from fewer enterprise stories to recently trimmed TV listings (messing with the TV guide always pisses off newspapers’ older audiences).
It’s easy to understand why The N&O feels lighter these days. Layoffs and buyouts pared the newsroom down to 132 full-time employees back in April. That’s about half the staff that was employed in the newsroom four years ago, according to an April 2009 article in The Independent. A newspaper simply can not produce the same product after cutting that much staff.
The 754-word letter written by Quarles appears as nearly a full-page ad on the inside of the local section and doesn’t seem to be available on the newspaper’s website (but it is now thanks to my mad typing skills. You can read it here.) Here are the highlights:
* The latest adjustments to the paper include reducing the TV grid and weather page, trimming even more stock and mutual fund information and reducing the number of pages in the newspaper.
* The N&O will launch a redesigned website in mid-August.
* The size of the pages in the print edition will shrink in August as the newspaper follows a money-saving industry trend.
* Quarles notes the excellent job the paper has been doing in watchdog and investigative reporting with its Executive Privilege series.
A subscription stand outside Kroger on Six Forks Road.
I’m guessing this won’t be the last letter we read from Quarles as The News & Observer and other newspapers continue to find their footing in this dreary economy and Internet-loving landscape. I’ve vowed to continue to subscribe to the newspaper until I’ve paid off my student loans for my print journalism degree, even though I read nearly all my news online these days.
I know us Internet nerds love to beat up on newspapers. We make fun of the print editions. We mock their cluttered homepages and poor uses of Twitter and facebook. But there’s no denying that if The News & Observer didn’t send its reporters to courthouses, city halls and college campuses, more government dollars would get wasted and voiceless victims would be ignored.
Just today the N&O revealed that North Carolina court systems failed to fully compensate at least 80,000 crime victims because courts are ignoring state law and using antiquated computer systems. Reporters Joseph Neff and David Raynor poured over 244,489 court cases to come to that conclusion. What other local media outlet or citizen journalist is going to take the time to do that?
This summer the chancellor and provost at N.C. State University and the chairman of the university’s Board of Trustees resigned after the N&O showed that former first lady Mary Easley landed a $170,000-a-year job through cronyism. Those resignations might not have happened if those officials had been forthcoming about how Easley got her job. But The N&O didn’t relent, and through public records and interviews, reporters showed that top university officials lied about how Easley got her job. The News & Observer’s “Executive Privilege” series also showed how former governor Mike Easley used his influence to snag sweet real estate deals and free flights on private jets. Federal authorities are investigating whether anything illegal occurred.
A copy of The News and Observer lays in the yard of a home in Five Points.
None of these investigations would be possible if a reporter wasn’t being paid a salary that comes from advertising dollars and subscriptions. No doubt the industry has made some missteps and has been slow to embrace new forms of media that readers are craving. But newspapers need the public’s support now, more than ever, to survive.
So don’t be one of those people who joins the bandwagon and blanketly declares “newspapers are dying.” The journalism that newspapersare practicing is crucial to maintaining our democracy. Newspapers must figure out how to make money off our mobile news habits.
Until that happens, support your local newspaper. They desperately need you as much as you need them.
Banner ads don’t have to be boring and neither does your copy. Pringles recently proved that when it published an award-winning banner ad that keeps people clicking on the ad.
The ad features a chick with a Pringles can stuck on her left hand (no doubt b/c she was trying to get the last of the stack out … will Pringles make a wider can already?!) and a guy proposing to her. The ad proclaims that “Love can be complicated” and the mustached Pringles man in the corner urges you to “click.” That’s where the fun begins.
Once you start clicking on the ad, you’re pulled into an amusing storyline involving your boss, a joke about facebook and even acknowledgments of how crazy it is that you’re continuing to *click* on this seemingly pointless ad. Click here to see the ad in action.
None of these things have any direct correlation to Pringles, but you clicked through to the last screen, didn’t you? Even if you didn’t, I’m guessing you went at least 15-20 clicks deep, all because of the funny, casual copywriting. Which brings me to my next point: Lighten up!
The next time you’re writing copy for a company newsletter, advertisement, blog, manual, etc., consider whether you need to write for the suits in the conference room or if you can loosen your tie and write like how you talk to the IT guy in the break room.
Sometimes you need the jargon to be taken seriously. Sometimes jargon and formality make you seem stuffy and boring. Know your audience and don’t be afraid to write for them. You never know, it might lead your company to be an Internet buzz instead of Pringles.
A lot of you guys know I have been obsessed with Augmented Reality and learning to code it using the Augmented Reality ToolKit. I have been working in Processing and experimenting with it in Flash.
Today, I stumbled across an incredible application from Jack Links Beef Jerky. That’s right. Beef Jerky! http://www.livingsasquatch.com/ Developed by Brock Davis, one of my favorite artists of the moment, it makes great use of Augmented Reality and allows users to create short films with the app. If you have access to a printer and a webcam, you’re good to go. Go to the site, print out the footprint and activate your camera thru the Flash app. When your camera detects the shape (the “Hiro” image), the sasquatch comes to life using a series of 3d files performing the actions you select.
What’s the future for Augmented Reality? Have you experimented with it? Is it a useful tool or just another gimmick? How can we use it in our daily lives?
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